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How do we move past binary thinking and embrace a more prismatic or nuanced view of the world
such as Kengo Kuma
This post—which had over 1
They are added
Zzz Züri 1962-1964 How do we move pastThe previous two drawing novellas took Ingo Giezendanner to far away places by train and ship. This time he paces his immediate surroundings in the city he grew up in. The dreamlike stroll through Zurich follows observations of construction and destruction and traces the reactions and remnants of its inhabitants. Accompanied by drizzle and rain this ordinary walk provokes a sort of cleansing in the city with its two rivers, which is famous not only